Customer Review: You get what you pay for
S.o.s. Guitar Tuner It certainly is cheap but as a tuner it has some pretty severe limitations. If one or more of the stings on your guitar are in tune, or very close to it, then this gadget can be useful, but there are situations where it's basically completely useless. If a string is way out of tune and there's enough noise around you that you can't hear the string and compare it to others you could spend an hour trying to find the right pitch and never find it, or you could just keep twisting the tuner until the string snaps. Even under optimal conditions, it's much harder and time-consuming to use than most tuners. I can tune much faster and just about as accurately using a pitch pipe. This tuner does have an advantage over many otherwise superior tuners in that you can use it in low light situations, but that hardly excuses its shortcomings. I suggest you spend a little more and get something that works faster and better. For example, the Intellitouch PT1 and PT2 tuners are way better than this thing. I haven't tried the Intelli IMT500 Backlit Clip Style Tuner, but it looks like it matches up well against the Intellitouch models and comes at a more affordable price.
Customer Review: Good for a cheap strobe
This thing works great for a cheap strobe tuner. It works approximately like any other strobe tuner, and takes some getting used to; but I really like it. The needle in my chromatic tuner (a needle drawn on an LCD) wobbles a lot and when it's "close" the display stays stable; with this I can fine-tune a bit. I really find this thing useful with relative tuning; once I get the low E string in tune, I can use the strobe to check the A string and also visually and audibly compare it to low E at fret 5. I can use it on its own or use a chromatic tuner like the Korg GA-40 to give me a second type of visual reference. If you need to do non-standard tuning, you'll have to use the strobe against a fretted string; for Drop D tuning, for example, you'll need to fret the low E at 2 and use E6 for comparison. If you want to tune up, i.e. have low E play an F, you'll have to fret it up to D5 (fret 4 in this case). Make sure your intonation's proper if you do this.
For the intermediates, advanced, or professional players, scale and chord practice is absolutely essential. In fact, daily practice sessions are in line with these levels of musicianship. Why? The development of strength, endurance, recognition of melodic and harmonic structure, and, of course, more facility on the guitar.
I can almost guarantee that after a few hours of practicing a scale, the strict succession of the scale tones will disappear and will be replaced with new musical statements. Further, fresh new techniques will also emerge. For example, one might discover a new way to pick a string, cross a string, mute a string, embellish the scale tones, as well as many, many other discoveries. How's that for progression?
Visit the Ultra Guitar Method website today. Your future is now.
2008 Michael E. Fletcher. All Rights Reserved Worldwide.
Ultra Guitar Method is designed to place years of professional playing experience under your fingers in a very short amount of time thus, placing you light years ahead of the competition. All theoretical, technical, mechanical, and application principles contained in the method are designed exclusively for the guitar. Learning is made exciting and fun.
While others are losing valuable time on the standard old books of C, F and G, this is your opportunity to step directly into the future with a guitar method that is as flexible as your own personality and as vast as your imagination will allow.
Practicing Guitar Scales And Guitar Chords - The Inherent Value - A Reminder For All
For the experienced guitarist, I truly believe it's important to remember how we arrived at our proficiency level. This is important because, in reality, we should never stop learning and progressing.
Make no mistake about it; if your goal is to understand the entire guitar fingerboard and experience an incredible new mechanical and theoretical freedom as a guitar player, then Ultra Guitar Method is an absolute must.
For the purpose of this article, I believe it's safe to say that those who enjoy playing a few songs here and there, will, most likely, bypass the rigorous schedule of scale and chord practice.
The leap from good to great on the guitar is actually a short distance. Shorter than one might think. It's really all about the level of desire and commitment one has, that will determine the actual distance. However, willingness without action equals fantasy. Good intent means nothing if one is not prepared to act.
A hardcore practice session can easily turn into a fantastic creative session. This is great news for the original guitarist and songwriter. Need a new guitar lick or song? Practice, practice, practice.
Everything discussed thus far, pertaining to guitar scales, also applies to practicing guitar chords. In music, time waits for no man. Chord construction and execution takes practice. Especially, when dealing with extended chords and altered chords (let's not forget inversions). Not all of us will have the opportunity to encounter a major 11 Augmented 13th chord. However, what happens if we do? Answer; play it at the speed of right.
Keep in mind that many guitarists are satisfied with their ability to play just a few songs here and there. There are many guitarists who enjoy performing in clubs for larger audiences. Others strive to become accomplished nationally and internationally. The practice habits for all are different, because the goals are different.
As a progressive guitarist, I enjoy those over-the-top solos that generally send chills up the spine of the listener. However, I also enjoy the hours of personal practice that allows me to execute those solos. Performance is one thing and skill development is another. It's beneficial to enjoy both.
For starters, practicing scales develops finger strength, wrist control, picking techniques, pivot techniques, thumb placement, fret logic, and a multitude of other essential elements needed in order to execute in a professional manner. By practicing scales as scales (not musical statements per se), we learn very good habits and general rules of performance. We also learn that rules are made to be broken. When we, as experienced guitarists, break a rule, we at least know that we are, in fact, breaking a rule. Further, we all know that it's permissible to break certain rules due to the impositions of certain styles of music, among other things.
When thinking in terms of practicing guitar scales and guitar chords, many guitarists tend to overlook the overwhelming value of such practice. After all, some might argue, practicing a guitar scale just for the sake of practicing a guitar scale, doesn't seem like a very exciting prospect. The same argument, for some, is also applied to learning and playing guitar chords. In other words, why learn a major 9 chord, when a major triad is easier to learn and play? We'll examine the answer in a moment.
Imagine setting aside approximately eight straight hours of practice time and devoting a good share of that time to practicing one or two scales only. The thought of this routine might surprise some of the more experienced players. Once again, why practice scales when we can solo into infinity? The answer is forth coming.
Whatever your level of musicianship, be sure to practice for the sake of practice. Great things will result from your hard work.
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