Tuesday, September 16, 2008

Yamaha F325 Gigmaker Standard Guitar Package with Natural Finish

The Yamaha F325 Gigmaker Standard Guitar Package with Natural Finish is a great starter package that includes an F325 acoustic guitar providing great sound and playing ease, gig bag, digital tuner, DVD guitar lessons, strap, strings, and picks. This great package come with comes with a Limited Lifetime Warranty.
Customer Review: Good Starter Kit
I bought this to learn to play the guitar. It was a nice started kit. It came with all the basics and was a good deal for the price. The only downside was the guitar case. Very flimsy and no padding. You definitely will want to purchase another guitar case if you will be carrying it around. Other than that though, it is a great buy!
Customer Review: Great Starter Guitar
I shopped around at music stores to price a good starter guitar. I was told about this product. After I went home I looked it up on line and the price was much less here through Amazon. I am very happy with the guitar so far.


As Beethoven walked past the cello's music stand, he snidely grabbed the cello's sheet music.

There are many famous instances of immortal musicians being insulted by other famous musicians.

Carefully showing the astounded crowd the page of sheet music, Beethoven sat at the piano and then put the music, upside down, onto the piano music stand.

A hush fell over the crowd as Beethoven appeared out of the shadows and walked toward the piano. Everyone was aware of the grudge between Steibelt and Beethoven and the air was thick with apprehension.

At a party the next week, Beethoven heard Steibelt playing one of his own compositions, an insipid Trio for piano, violin and cello. It was the type of horrid, elaborately ornamented fluff that Beethoven reviled, but he watched calmly as Steibelt finished the piece and took his bows.

And it was magnificent, one of those legendary Beethoven improvisations that have gone down in history, a passionate outpouring of ideas and bravura, until at last the piece was over with a furious ending and crash.

As Steibelt and the hushed crowd watched, Beethoven plunked out the notes of the upside down cello part, forcefully jabbing with his pointed and angry index finger, not taking his eyes off Steibelt.

Steibelt, startled by the angry look on the master's face, stepped away from the piano.

He was once reproved for playing "strange harmonies" during a church service. Bach's answer was to play even stranger harmonies the next Sunday, and this from the greatest composer of religious music the world has ever seen, the composer of the St. Matthew Passion.

Still steaming, the elders complained again to Bach and added the insult that the music was at some points "too long."

Johann Sebastian Bach, like most musicians of the day, worked as a church musician. He was anything but docile, and was known to rankle easily.

Then Ludwig began to improvise like a madman on Steibelt's upside down cello part theme. The crowd was carried away with Beethoven's angered showmanship.

Musical Feuds

Beethoven also had his feuds, especially in the early years when he was establishing himself as a great pianist.

Curiously, Steibelt was never heard from again.

A worthless popinjay named Steibelt had made it known that he thought Beethoven a terrible pianist, and in essence challenged Beethoven to a musical duel, a common occurrence in those days. Beethoven despised Steibelt, for he was in truth a talentless oaf that foolishly dared to challenge a great master.